![Picture](/uploads/2/8/0/0/28005747/6108394.jpg?374)
Vilma Bánky (January 9, 1901 – March 18, 1991) was a Hungarian-born American silent film actress, although the early part of her acting career began in Budapest, spreading to France, Austria, and Germany. Banky was best known for her roles in The Eagle and The Son of the Sheik with Rudolph Valentino and several romantic teamings with Ronald Colman.
She was hailed as "The Hungarian Rhapsody" and was an immediate hit with American audiences. The New York Times remarked in its review of her first American film, The Dark Angel, that she "is a young person of rare beauty ... so exquisite that one is not in the least surprised that she is never forgotten by Hillary Trent"[2] (the movie's leading male character who decides to allow his family and fiancee to believe him dead rather than place what he perceives as the burden on them of a life caring for a blinded war veteran).
Vilma Bánky She appeared opposite silent great Rudolph Valentino in The Eagle (1925) and The Son of the Sheik (1926) It is said that Valentino was fascinated by Vilma, and it was he who chose her as the first lady in the films and Ronald Colman in a series of love stories, including The Dark Angel and The Winning of Barbara Worth. It is commonly believed that her thick Hungarian accent cut her career short with the advent of sound; however, she began losing interest in films and wanted to settle down with Rod La Rocque and simply be his wife. By 1928, she had begun announcing her intention to retire in a few years.
Of her twenty-four films, eight exist in their entirety (Hotel Potemkin, Der Zirkuskönig [aka The King of the Circus with Max Linder], The Son of the Sheik, The Eagle, The Winning of Barbara Worth, The Night of Love, A Lady to Love, and The Rebel), and three exist in fragments (Tavaszi szerelem in scattered bits, the first five reels of The Magic Flame, and an incomplete copy of Two Lovers).
http://en.wikipedia.org/wiki/Vilma_B%C3%A1nky
Click the Hat Gallery again to explore more!
She was hailed as "The Hungarian Rhapsody" and was an immediate hit with American audiences. The New York Times remarked in its review of her first American film, The Dark Angel, that she "is a young person of rare beauty ... so exquisite that one is not in the least surprised that she is never forgotten by Hillary Trent"[2] (the movie's leading male character who decides to allow his family and fiancee to believe him dead rather than place what he perceives as the burden on them of a life caring for a blinded war veteran).
Vilma Bánky She appeared opposite silent great Rudolph Valentino in The Eagle (1925) and The Son of the Sheik (1926) It is said that Valentino was fascinated by Vilma, and it was he who chose her as the first lady in the films and Ronald Colman in a series of love stories, including The Dark Angel and The Winning of Barbara Worth. It is commonly believed that her thick Hungarian accent cut her career short with the advent of sound; however, she began losing interest in films and wanted to settle down with Rod La Rocque and simply be his wife. By 1928, she had begun announcing her intention to retire in a few years.
Of her twenty-four films, eight exist in their entirety (Hotel Potemkin, Der Zirkuskönig [aka The King of the Circus with Max Linder], The Son of the Sheik, The Eagle, The Winning of Barbara Worth, The Night of Love, A Lady to Love, and The Rebel), and three exist in fragments (Tavaszi szerelem in scattered bits, the first five reels of The Magic Flame, and an incomplete copy of Two Lovers).
http://en.wikipedia.org/wiki/Vilma_B%C3%A1nky
Click the Hat Gallery again to explore more!